Max Writes
Chapters 1-2
If you were to pick up John Hope Franklin’s autobiography Mirror to America and begin reading without knowing anything about the author, the immediate impression thrust upon you of what the book is largely about would not be the life of a man writing as an immensely accomplished octogenarian; rather, it would appear the focus of the text is a biting commentary on the overriding negative force of his life: the role of racism in 20th century American society. It is disheartening that a man who is so revered for his work and success found the need to introduce his life story with jaded dismay discussing his life personally and professionally. Limitations on the things he could do (often in unprecedented defiance of such limitations), and isolated incidents of ignorance by strangers dominate his memories of events that he deserves to have stand in his mind as moments of triumph and great pride. It is a sad and bitter tone that the reader is presented with when Franklin briefly reflects on his life throughout the 20th century and concludes with the statement, “the Rodney King riots of 1991 offered vivid testimony that there still persists much too much potential for racial conflict for anyone to be complacent.” (p. 6) The fact that a simple case of police overzealousness morphing itself into fuel for vicious racism and rioting even needs to be mentioned in this context because it became so significant, serves to demean Franklin and his life’s work. While we can assume that the author doesn’t espouse rhetoric for the entire book, and this is in fact correctly labeled as an autobiography, it is mind numbingly sad that he wants you to keep this overriding tone in your head while you read his reflections of such an amazing life — because it was the overriding tone for him while he lived it.
Many fictional stories have grand stages set in their opening; however, when dealing with reality, an extraordinary story often seems to have an unassuming ordinary beginning. For Franklin, growing up in postwar rural Oklahoma in part helped cultivate the mind he would need to succeed the way he did, however his venue would certainly need to change for it to be of much use. Ideologically, the all black community of Rentiesville where Franklin lived for his early childhood would be the perfect setting for his family; but, like most ideologies, unanticipated problems eroded the utopian aspects that the community was created to provide. In the case of Rentiesville, the deep divide between the intolerant Baptists and outnumbered Methodists created irreparable, overwhelming strife that contributed to 6 year old Franklin’s father leaving town with plans for the family to soon follow behind: “These were the final failures that persuaded my parents that so-called utopia, this bastion of racial unity, this Eden where all were supposed to be sisters and brothers, was a travesty.” (p. 15) In the black community then, as is still the case today for communities from all cultures, the church serves as much more than a house of worship; in the case of Franklin, “While we were a churchgoing family, we were not particularly sectarian or even God fearing. In Rentiesville, we attended regularly the Methodist church for social as much as religious reasons.” (p. 21) This part of the book ends with sights set on postwar, pre-Depression Tulsa, which modernly may conjure quite the lackluster image, but still must have seemed like Atlantis for Franklin, even if his departure was delayed by everything his father owned being destroyed in a race riot.
Unnecessarily used, overly obscure words:
antediluvian – (n.) - any of the early patriarchs who lived prior to the Noachian flood
(adj.) of or relating to the period before the biblical flood; "antediluvian man"
(n.) ancient: a very old person
(adj.) so extremely old as seeming to belong to an earlier period; "a ramshackle antediluvian tenement"; "antediluvian ideas"; "archaic laws"
equanimity – (n.) composure: steadiness of mind under stress; "he accepted their problems with composure and she with equanimity"
milliner – (n.) hatmaker; someone who makes and sells hats
congeries – (n.) singular (congery, congerie not words); aggregate, a sum total of many heterogeneous things taken together
borderline: acquiescence, operettas